PrimeBio Commission a Portrait

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Short films that give a chosen portrait a few seconds of life — one gesture, steadily observed, priced by running time and size with the figure shown in advance.

Animate only fictional adults, or footage that is yours with documented consent.

Films are priced by running time and frame size. The figure is calculated on the commission and shown before you confirm; a failed render returns its credits without being asked.

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The moving portrait

A portrait holds a moment; a film lets it breathe. This room gives your muse a few seconds of life — a glance that turns toward the light, a hand settling on the piano lid, the small weather of a real presence. Because film is the costly end of the atelier, it is commissioned deliberately: begin with a portrait you already admire, and let motion be the only new thing. Pricing follows running time and frame size, is calculated on the commission, and is placed before you for confirmation; a failed render returns its credits unasked.

The commission, in three movements

1

Choose the frame to move

A finished portrait from your collection is the finest first frame — muse, wardrobe and room are already exactly right.

2

Ask for one motion

A turn of the head, a slow smile, hair stirred by a draught. A single gesture, gracefully done, outlasts any choreography.

3

Size it for its screen

Decide where the film will live — a teaser, a front piece, a keepsake loop — and commission that size, not the largest available.

What the films are made for

Introductions

The front piece in motion

The portrait that heads your page, given breath — the difference between a likeness and a presence.

Invitations

Quiet teasers

A few seconds drawn from a collection’s finest sitting, offered as a promise of the rest.

Keepsakes

Loops that linger

One gentle, repeatable motion, composed to be watched more than once without tiring.

Briefs that film well

From a portrait

“She turns her face slowly toward the window light and allows herself a small smile; the camera does not move.”

The still has already decided everything else. The brief concerns itself with a single, performable gesture.

From words alone

“Fictional 34-year-old woman, dark chestnut hair in a low chignon, midnight-blue velvet blazer, walking the length of a candlelit salon toward the camera, unhurried, cinematic.”

Carry the dossier into film briefs verbatim, so the woman on screen is the woman in the portraits.

Composing the budget

LeverEffect on priceHouse counsel
Running timeLonger films cost moreA teaser seldom needs more than a few seconds to do its work
Frame sizeLarger costs moreCommission the size of the screen it will grace; enlarge later if a film earns it
Second attemptsEach render is a commissionCorrect the brief or the first frame before rendering again
How are films priced?

By running time and frame size, calculated on the commission and shown before you confirm. A failed render refunds its credits automatically.

Is it better to begin from a portrait or from words?

From a portrait, when the film belongs to a collection — the first frame carries your muse and her setting with it. Words alone suit a standalone scene you are exploring.

Will she remain herself on film?

If the dossier travels with you. Begin from her portraits, or repeat her five lines exactly in the film brief, and the woman on screen is the woman in the frames.

What spoils a film?

Competing motions and restless cameras. One gesture, steadily observed, is the reliable composition.

Are films private?

Entirely. A film rests in your account until you download it or choose to publish it; nothing is posted on your behalf.

One membership, the whole atelier

Portraits, films, retouching and finishing draw on a single balance and rest in a single private collection. Begin with the piece you have in mind.

Commission a portrait