About PrimeBio

An atelier, not a factory

PrimeBio was arranged for creators who think of their work as a body of pieces rather than a stream of posts. The factory asks how much can be made by Friday; the atelier asks whether the muse is still herself in the fortieth frame, whether the light was kind, whether this piece deserves finishing. Both stills and films are made here — but they are made at that pace, under those questions.

The rooms of the house

• Portraits: a generator composed around a written dossier, so one muse persists across sittings.
• Films: portraits given a few seconds of life, and scenes briefed directly, under the same dossier.
• Transformations: consented undress sittings and a retouching desk that corrects one thing at a time.
• Casting: face swaps for portraits and film, keeping one recognisable lady throughout a collection.
• Finishing: enlargements for the pieces that will be presented large.

What the house believes

• Adults, fictional or consented. Muses are invented adults; real people appear only in media carrying documented consent.
• Privacy is the default. A piece is public only when its creator hangs it.
• Prices belong in the open. Every commission is quoted before it is confirmed, failures refund themselves, and the house makes no claims it cannot keep about speed, standing or effect.

For anything else — the account, a commission, a question of the rules — the contact page reaches the whole house from a single address.